More From Sarah Valdez

Featured image for “Western American history writ large, in verse”
Featured image for “A way of seeing”
Featured image for “Walking wisdom”
Featured image for “Prairie poetics”
Featured image for “Tales, tall and short, from the high desert”
Featured image for “An author’s life and work resurrected in Technicolor”
Featured image for “‘The uterus belongs to the family’”
Featured image for “Buttery, layered and dangerous”

About Sarah Valdez


Sarah Valdez is former manager of publications for the Guggenheim Museum, and a senior editor at the New Museum in New York. Her writing has appeared in Art in AmericaARTnews, Interview and Flash Art, among numerous other publications.

Image

Support Rocky Mountain Reader


Rocky Mountain Reader depends on generous contributions from readers to support our operations. Please consider making a donation that you can afford — one-time, monthly or yearly. Donations are tax-deductible.

Newsletter Updates


Subscribing is free! To subscribe, sign up to receive our weekly newsletter that will provide previews and links to upcoming content, literary news items from around Colorado and more.

Briefly Noted


Behold the Bird in Flight: A Novel of an Abducted Queen

Terri Lewis
She Writes Press, releases June 3
336 pages
Image

Terri Lewis grew up in Colorado, was a ballet dancer with a German opera company and worked in a circus. It may come a surprise, then, that her debut novel is about the life of Isabelle d’Angoulême, the 11-year-old French noble abducted by England’s King John (yes, that King John—the Magna Carta and all), taken back to England and made queen. As the novel progresses, we realize that Lewis is also a trained historian and an excellent researcher with a passion for medieval times.

The narrative is lively and compelling. Drawing on scant primary sources and historical records, Lewis creates Isabelle as a rich, complex character. Lewis renders Isabelle’s development from a silly child into an effective queen and independent agent able to direct her own destiny, thus fashioning a believable heroine immersed in a believably detailed world.

The story opens in 1198. Isabelle is betrothed to Hugh de Lusignan, who is appreciative of her future dowery but smitten with someone else. Isabelle senses that something is amiss and decides to play at courtly love by flirting with the Plantagenet king. King John, in turn, is smitten by young Isabelle and spirits her away. Her childish fantasies of true love and life in a beautiful castle are quickly dashed when she discovers how cruel her new husband really is. The narrative, while centered on Isabelle, offers the changing perspective of Hugh, and it incorporates the historically well-known characters, Eleanor of Aquitaine (John’s mother) and Richard the Lion Heart (John’s brother) as secondary characters in the Plantagenet drama.

As was the case with most noble women in the 12th and 13th centuries, Isabelle is initially a mere pawn for the men around her—expected to bring her husband a rich marriage settlement and then breed heirs. Learning from the formidable Queen Eleanor, as well as from the exceptionally strong women from the servant classes, this coming-of-age story reveals a more nuanced path than one might initially expect. Isabelle’s increasing autonomy and her growing skill at navigating the complexities of the court and surrounding society make for an exciting read. Although the last few chapters seem a bit rushed, this novel will charm fans of historical fiction and remind us all of the many lesser-known women who have shaped history and, thus, ourselves.

— Perrin Cunningham