The Book Project at the Lighthouse Accepting Applications (Denver)
The Book Project is a two-year program for experienced writers who need support, guidance, connections, and camaraderie as they draft and revise their books. Once writers apply, mentors select groups of six writers who seem like a mutually beneficial fit, and together cohorts work through the two years. Applications are accepted through June 21.
Address
The Lighthouse, 3844 York St., Denver.
Western Colorado Voices Anthology Book Launch Party (Palisade)
Join many of the authors, the editorial board, and the WCWF Board at the Palisade Pizza and PourHouse (just off I-70) to celebrate our book, Western Colorado Voices!Light snacks and non-alcoholic refreshments will be provided, so please be as accurate as possible in planning attendance. Please let them know total number of guests when you RSVP via email to “info@westerncoloradovoices.org”
Address
Palisade Pizza and PourHouse, 785 Elberta Ave, Palisade
Apply to Summer Words Writers Conference (Snowmass Village)
June 20-27 at Viewline Resort, Snowmass Village.
Juried workshops include Fiction led by Steve Almond, Vanessa Chan, and Nana Kwame Adjei-Brenyah; Memoir led by Hector Tobar; Sci-Fi/Fantasy led by P. Djeli Clark; and Screenwriting led by Christina Lazaridi. Deadline to apply for juried workshops is Feb. 26. Guidelines to apply here.
General admission workshops are on a first-come, first-served basis. Topics include Book Branding, Generative Writing, and Readers Retreat.
For full description of workshops and faculty bios, click here.
Writing workshops start at $1,150, Readers Retreat at $755.
Address
Spoken Word Open Mic Night
Join us every month on fourth Fridays for a Spoken Word Open Mic Night from 4:30-6:00 p.m. The Western Colorado Writers’ Forum has partnered with Carboy Winery in Palisade, CO, to bring you this opportunity to read your work. We welcome poetry, prose, storytelling, and slam, and all skill levels are welcome.
Signups start onsite at 4:15 and there is a 5-7 minute time limit.
June 27
Address
3572 G Rd, Palisade, CO 81526
Productivity Club – Weekend Edition (Denver)
This facilitated writing program aims to combine two things every writer needs: focused time and a sense of community. Join us once a week on Sundays, in-person at Lighthouse, for concentrated writing time to finish that draft or start a new project using the Pomodoro technique—25-minute writing sprints, followed by 5-minute breaks. Sundays, June 29-July 27. $95 members, $105 nonmembers.
Address
Lighthouse Writers Workshop, 3844 York Street, Denver
Novel 101 (Zoom)
This course is for anyone who loves novels and aspires to write them. We’ll read a lot and we’ll write even more. We’ll delve into craft elements like character, plot, structure, perspective, and language. We’ll find the voice and lens that’ll set your novel apart. Mondays, July 7-28. $240 Lighthouse members, $265 nonmembers.
Address
Lighthouse, 3844 York St., Denver
Getting It Done: 48 Hours to a Finished Draft (Zoom)
This four-week, 48-hour intensive writing experience uses a method similar to the Pomodoro Technique, a proven time-management system that keeps you focused and driven. You’ll commit yourself to distraction-free writing for four cycles per day, Monday, Wednesday, and Friday, for four weeks. Offered by Lighthouse Writers Workshop. Monday, Wednesday and Friday, July 7-Aug. 1. $150 for members, $180 for nonmembers.
Address
Zoom
Short Story 101 (Zoom)
This reading-and writing- based course examines the fundamental keystones of short fiction. Learn about character, plot, structure, language—all the rules about what should go into a successful short story. Tuesdays, July 8-29. $240 for Lighthouse members, $265 for nonmembers.
Address
Zoom
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Briefly Noted
Behold the Bird in Flight: A Novel of an Abducted Queen

Terri Lewis grew up in Colorado, was a ballet dancer with a German opera company and worked in a circus. It may come a surprise, then, that her debut novel is about the life of Isabelle d’Angoulême, the 11-year-old French noble abducted by England’s King John (yes, that King John—the Magna Carta and all), taken back to England and made queen. As the novel progresses, we realize that Lewis is also a trained historian and an excellent researcher with a passion for medieval times.
The narrative is lively and compelling. Drawing on scant primary sources and historical records, Lewis creates Isabelle as a rich, complex character. Lewis renders Isabelle’s development from a silly child into an effective queen and independent agent able to direct her own destiny, thus fashioning a believable heroine immersed in a believably detailed world.
The story opens in 1198. Isabelle is betrothed to Hugh de Lusignan, who is appreciative of her future dowery but smitten with someone else. Isabelle senses that something is amiss and decides to play at courtly love by flirting with the Plantagenet king. King John, in turn, is smitten by young Isabelle and spirits her away. Her childish fantasies of true love and life in a beautiful castle are quickly dashed when she discovers how cruel her new husband really is. The narrative, while centered on Isabelle, offers the changing perspective of Hugh, and it incorporates the historically well-known characters, Eleanor of Aquitaine (John’s mother) and Richard the Lion Heart (John’s brother) as secondary characters in the Plantagenet drama.
As was the case with most noble women in the 12th and 13th centuries, Isabelle is initially a mere pawn for the men around her—expected to bring her husband a rich marriage settlement and then breed heirs. Learning from the formidable Queen Eleanor, as well as from the exceptionally strong women from the servant classes, this coming-of-age story reveals a more nuanced path than one might initially expect. Isabelle’s increasing autonomy and her growing skill at navigating the complexities of the court and surrounding society make for an exciting read. Although the last few chapters seem a bit rushed, this novel will charm fans of historical fiction and remind us all of the many lesser-known women who have shaped history and, thus, ourselves.
— Perrin Cunningham