More From Suzanne Macaulay

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Remembering life on the run

An interview with legendary author Joanne Greenberg about her 21st book, a memoir of her time as a volunteer emergency medical technician in the Colorado Rockies

By Suzanne Macaulay | December 12, 2024
“I felt myself sinking into the local geography and climate as deeply as though I had spent my childhood there. We began to know, within the limits of our district, the ten or fifteen mini-climates of the hills we lived in, places where the snows melted earlier, or the wind made the way crusty and precarious, pockets of chill, pockets of calm.” — Joanne Greenberg, On the Run
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About Suzanne Macaulay


Resident of Rocky Mountains and the Pacific coast of New Zealand, Suzanne MacAulay is an art historian, folklorist and ethnographer. She is Professor Emerita and former chair of the Visual and Performing Arts Department, University of Colorado, Colorado Springs. Her research interests are arts revitalizations, ethnographic textiles, particularly Spanish Colonial colcha embroidery and Maori weaving. Her book, Stitching Rites, is the first comprehensive academic treatment of Spanish colonial colcha embroidery and Hispanic art revitalization movements. In 2019 she successfully nominated Josephine Lobato, folk artist from the San Luis Valley, Colorado, for a National Endowment for the Arts National Heritage Fellowship Award.

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Briefly Noted


Behold the Bird in Flight: A Novel of an Abducted Queen

Terri Lewis
She Writes Press, releases June 3
336 pages
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Terri Lewis grew up in Colorado, was a ballet dancer with a German opera company and worked in a circus. It may come a surprise, then, that her debut novel is about the life of Isabelle d’Angoulême, the 11-year-old French noble abducted by England’s King John (yes, that King John—the Magna Carta and all), taken back to England and made queen. As the novel progresses, we realize that Lewis is also a trained historian and an excellent researcher with a passion for medieval times.

The narrative is lively and compelling. Drawing on scant primary sources and historical records, Lewis creates Isabelle as a rich, complex character. Lewis renders Isabelle’s development from a silly child into an effective queen and independent agent able to direct her own destiny, thus fashioning a believable heroine immersed in a believably detailed world.

The story opens in 1198. Isabelle is betrothed to Hugh de Lusignan, who is appreciative of her future dowery but smitten with someone else. Isabelle senses that something is amiss and decides to play at courtly love by flirting with the Plantagenet king. King John, in turn, is smitten by young Isabelle and spirits her away. Her childish fantasies of true love and life in a beautiful castle are quickly dashed when she discovers how cruel her new husband really is. The narrative, while centered on Isabelle, offers the changing perspective of Hugh, and it incorporates the historically well-known characters, Eleanor of Aquitaine (John’s mother) and Richard the Lion Heart (John’s brother) as secondary characters in the Plantagenet drama.

As was the case with most noble women in the 12th and 13th centuries, Isabelle is initially a mere pawn for the men around her—expected to bring her husband a rich marriage settlement and then breed heirs. Learning from the formidable Queen Eleanor, as well as from the exceptionally strong women from the servant classes, this coming-of-age story reveals a more nuanced path than one might initially expect. Isabelle’s increasing autonomy and her growing skill at navigating the complexities of the court and surrounding society make for an exciting read. Although the last few chapters seem a bit rushed, this novel will charm fans of historical fiction and remind us all of the many lesser-known women who have shaped history and, thus, ourselves.

— Perrin Cunningham