Why books still matter
A conversation with publisher Karl Weber on his tribute to Joyce Meskis, the state of publishing and the responsibilities of readers
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A conversation with publisher Karl Weber on his tribute to Joyce Meskis, the state of publishing and the responsibilities of readers
Robin Walter’s Little Mercy attends close-up to the world around her
Author Shelley Read on Go As a River’s international success and the power of home
Climber’s memoir examines the lure and limitations of the inner adrenaline junkie
Backstory for blockbuster The Story of Edgar Sawtelle recalls family and dog breeding legacy in intricate detail
Book honors stewards of Hispano traditions in one of the state’s true cultural enclaves
Navola explores coming of age “in the dragon’s eye”
Understanding our lunar sister better
coming storm marks each month of a year in poems. Like Matsuo Basho, the traditional haiku master, Colorado Springs-based poet and teacher Dave Reynolds invokes images of the natural world and seasons. Beginning with January, he reflects upon snow laden scenes, deer in moonlight and impending storms. His family is often the subject. Coffee and spouse’s moods percolate; arguments pave paths like an avalanche. February speaks to resolutions and the pull of unbreakable habits. Yet those moments are erased in a blanket of white, their marks only visible once feet leave a Hansel and Gretel trail. Spring begins with reflections on the past and wordplay: “another year / another columbine shooting / up through the dirt.” Here, Reynolds remembers April 20, 1999, and the Columbine High School mass shooting. He, too, is a high school educator, Chair of the English department at Fountain Valley School in Colorado Springs. In his haiku, he educates his reader, remembering past losses masked in the colors of mountain flowers. Reynolds canters into hopeful summer: “the fog lifts / one by one / horses on the prairie.” He steps outside the indoor classroom to open space. Meadowlarks trill, dandelion seeds blow in the wind and fireflies glow like what once was. As summer fades, sometimes life does too. Reynolds learns by “letting go” those memories, just as he breaks with traditional haiku in both syllable count and topic. Dave Reynolds uses humor, sadness, nostalgia and love to animate his delicate haiku. He dedicates his collection to the women in his life, as well as haiku writers and readers—those that inspire him and keep the art form alive today. — Shelli Rottschafer